9,047 Royalty-Free Audio Tracks for "Classical Musicians From Iran"

Piano Sonata no. 15 in D major op.28 "Pastoral" - I. allegro by Karine Gilanyan

Sorud-e Mellí-e Yomhurí-e Eslamí-e Irán (Instrumental) - AFIRI Band

Salamati-ye Shah (1896-1933)

日本語: ビゼー作曲「カルメン」第2幕の「カンツォネッタ」の一部 Part of Georges Bizet's Carmen

Jephte - Plorate filii Israel

فارسی: سرود «سر کوچه کمینه» از نوار کاست «سرودها، اشعار و مارشهای انقلابی مجاهدین خلق ایران – سری چهارم» منتشرشده در آبان ۱۳۵۷ به تهیه‌کنندگی محمد سیدی کاشانیThere's an Ambush at the Alley (Sare Koucheh Kamineh), a song from the 1979 cassette tape named "Songs, Poems and Revolutionary Marches of the People's Mujahedin of Iran – Serie 4", produced by Mohammad Seyyedi Kashani (uncredited). The song was written by an imprisoned member of the People's Mujahedin of Iran, inspired by assassination of the US Army Lieutenant colonel w:Lewis Lee Hawkins by the organisation. No one is credited in this album.

I made this midi file; it is a performance of an In Nomine by John Bull, an English composer who died in 1628.

Symphony No. 3 in E Flat Major Eroica, Op. 55 - I. Allegro con brio

Symphony No. 3 in E Flat Major Eroica, Op. 55 - II. Marcia funebre Adagio assai

Jean-Philippe Rameau: "Tambourin". 1724, from Pièces de clavecin avec une méthode pour la mécanique des doigts

Symphony No. 3 in E Flat Major Eroica, Op. 55 - IV. Finale Allegro molto

Francesco Durante: Vergine tutto amore.

Alice Guszalewicz sings the Komm' o Hoffnung aria from Beethoven's Fidelio

Retrobem la Nostra Música CD nº 21

Coriolan Overture, op. 62. Performed by the Czech National Symphony Orchestra for the Musopen Project Obertura Coriolano, op. 62. interpretada por la orquesta sinfónica nacional de República Checa para el proyecto Museopen Ouverture Coriolan, op. 62. interprété par l'orchestre symphonique national tchèque pour le projet Museopen

Sequence of Easter, Gregorian ChantOstersequenz Victimae paschali laudes, Gotteslob (2013) 320; Gotteslob (1975) 215

Schubert's Sonata in B Flat, D. 960 - III. Scherzo (Allegro vivace con delicatezza) by David H. Porter

Concert etudes for piano, op. 1 - moderato

Ave regina

Motet O rosa bella

Beethoven's Military March No. 1 in F, "Yorcksher". Conducted by Capt. Michelle A. Rakers.

Giulio Caccini: Amor che attendi.

Derivated work: Theme A from "Almande de don Frederice" (w:Pierre Phalèse), as heared and writted down by User:Kychot Čeština: Téma A z "Almande de don Frederice" (w:Pierre Phalèse), jak je slyšel a zapsal User:Kychot

Derivated work: Theme D from "Almande de don Frederice" (w:Pierre Phalèse), as heared and writted down by User:Kychot Čeština: Téma C z "Almande de don Frederice" (w:Pierre Phalèse), jak je slyšel a zapsal User:Kychot

Derivated work: Theme C from "Almande de don Frederice" (w:Pierre Phalèse), as heared and writted down by User:Kychot Čeština: Téma C z "Almande de don Frederice" (w:Pierre Phalèse), jak je slyšel a zapsal User:Kychot

Utwór "ARFA ZE SZCZYTU CHORU" z "Dramatu Akropolis część muzyczna", autor partytury: Bolesław Raczyński.

This is my sequencing of the public domain piece Impromptu in C# minor, Opus 28 no. 3, by Hugo Reinhold, composed in the nineteenth century. It is identical to the version on Classical Music Archives, which means they determined there was no copyright problem.

Synthesized MIDI rendering of chanson "Belle bonne sage" by Baude Cordier, early 15th century, after manuscript File:CordierColor.jpg

Derivated work: Theme B from "Almande de don Frederice" (w:Pierre Phalèse), as heared and writted down by User:Kychot Čeština: Téma B z "Almande de don Frederice" (w:Pierre Phalèse), jak je slyšel a zapsal User:Kychot

Władysław Tarnowski ps. Ernest Buława (1836-1878) opera "Achmed oder der Pilger der Liebe", „Ballet” z II Aktu, składający się z 3 cześci przeplecionych ze sobą: Khelas (taniec arabski) z Królem i [jego córką] Dolorez na tronach oraz świtą dworską, Gitana (taniec solo z kastanietami), Eros i Psyche (Oto są dwa posągi ogrodowe, budzi się najpierw Eros, opuszcza swój cokół. Budzi Psyche jednym pocałunkiem – pieszczą się w ogrodzie[;] gonitwa za motylem. Wreszcie człowiek zjawia się w ogrodzie, oni biegną szybko do cokołów i na powrót kamienieją.) [Warto tu zwrócić uwagę na obraz Artura Grottgera „Rozmowa posagów” z roku 1865, namalowany w Śniatynce – posiadłości Stanisława Tarnowskiego zwanego „Białym” przyjaciela, mecenasa i modela Artura Grottgera a rodzonego brata kompozytora Władysława Tarnowskiego, obraz wydaje się stanowić inspiracje do tej części Baletu. Stąd zilustrowanie muzyki do ostatniej części Baletu fragmentami obrazu Artura Grottgera.] Kolejność ma być wedle partytury następująca: Khelas, Gitana, (Khelas ze śpiewem tu pominietym), Gitana, Eros i Psyche – część A, Gitana, Eros i Psyche – cześć B z gonitwą za motylem. Opera ta jest oparta na opowiadaniu Washingtona Irvinga opublikowanym w "Tales of the Alhambra', autorem libretta był Wladysław Tarnowski, który także przetłumaczył opowiadanie (Powieść o księciu Ahmedzie al Kamel albo o pielgrzymie miłości.) Akcja opery dzieje się na terenie dzisiejszej Hiszpanii a głównym bohaterem jest syn władcy Grenady. Partytura: Władysław Tarnowski ps. Ernest Buława, Hofmeister podaje jako czas publikacji październik 1877, str. 306. Wykonanie: Marcin Tarnowski, (M.Tarnowski (talk) 13:39, 21 January 2017 (UTC)) styczeń 2017.

Bagatelle in A minor ("Für Elise"), WoO 59, by Ludwig van Beethoven

wind sextet in e flat, op. 71 - iii. menuetto - quasi allegretto

Heinrich Isaac: Innsbruck ich muss dich lassen.

Butterfly, remastered.

Artur Nikisch (1855–1922) plays Johannes Brahms: Hungarian Dance No. 5. Recorded February 9 1906 for Welte-Mignon reproducing piano.Artur Nikisch (1878-1936) spielt Johannes Brahms: Ungarischer Tanz No. 5. Aufgenommen 9. Febr. 1906 für das Welte-Mignon Reproduktionsklavier.Italiano: Artur Nikisch (1878-1936) suona il brano Danza Ungherese n°5 di Johannes Brahms. Registrato il 9 Febbraio 1906 con il pianoforte meccanico automatico Welte-Mignon.

Artur Nikisch (1855–1922) plays Johannes Brahms: Hungarian Dance No. 5. Recorded February 9 1906 for Welte-Mignon reproducing piano. Artur Nikisch (1878-1936) spielt Johannes Brahms: Ungarischer Tanz No. 5.

Beethoven - Piano Sonata no. 15 in D major op.28 "Pastoral" - III. Scherzo. Allegro Vivace

Brief musical illustration from Beethoven's Fifth Symphony, played on an acoustic piano by Opus33.

Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.

Luigi Boccherini's Sonata for Two Cellos in C Major, 1st movement: Allegro moderato performed by Alisa Weilerstein and 8 year-old Sujari Britt at the w:White House Evening of Classical Music

La Plus Que Lente, performed by Wikipedia user La Pianista. Українська: La Plus Que Lente — вальс написаний французьким композитором Клодом Дебюссі в 1910 році. Čeština: Klavírní skladba - waltz La plus que lente francouzského skladatele Claudea Debussyho z roku 1910. Эрзянь: La Plus Que Lente. Теизе-арсизн Клод Дебюсси — французонь седийсёрмадеесь 1910 иестэ. La Plus que lente, morceau composé en 1910 par le compositeur français Claude Debussy.

Egmont, op. 84 (Overture) "Egmont", op. 84 (Ouvertüre) Overtura "Egmont", op. 84 Ouverture "Egmont" op. 84

Klavierstücke, op. 118 - ii. intermezzo, Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.  

Ossip Gabrilowitsch (1878-1936) plays Johannes Brahms: Intermezzo in C major, Op. 119 No. 3.Ossip Gabrilowitsch (1878-1936) spielt Johannes Brahms: Intermezzo in C-Dur, Op. 119 No. 3.

Douce Dame Jolie, 1-part Virelai by 14th-century composer and poet Guillame de Machaut. After an edition in Timothy Roden, Craig Wright, Bryan Simms, Anthology for Music in Western Civilization, vol. 1, p.103.

Fumeux fume par fumée

MIDI rendering of "Honte, paour, doubtance", a ballade by Guillaume de Machaut, 14th century

En ballad om franske kungens spelmän (Turesson)

En ballad om franske kungens spelmän (Hamberg)